Zeit

EMPTY FORMALISM
Brian Eno in conversation with Thomas Oberender
The set of "TIME PIECE" on the big stage at Haus der Berliner Festspiele. The set of "TIME PIECE" on the big stage at Haus der Berliner Festspiele.
What Does Time Politics Sound Like?
Time and Listening, Pt. 3
The picture shows Francois Bonnet playing "Trilogie de la Mort" by Éliane Radigue at the Zeiss Großplanetarium The picture shows Francois Bonnet playing "Trilogie de la Mort" by Éliane Radigue at the Zeiss Großplanetarium
What Does Eternity Sound Like?
Time and Listening, Pt. 2
The picture shows a singer at the rehearsals for "Environment" at Haus der Berliner Festspiele. The picture shows a singer at the rehearsals for "Environment" at Haus der Berliner Festspiele.
What Does Real Time Sound Like?
Time and Listening, Pt. 1
Staging Gaia
Thomas Oberender in conversation with Bruno Latour and Frédérique Aït-Touati
Talks with filmmakers and experts in Iranian cinema
10 Days of Iranian Cinema / Interview-Overview
“When films don’t represent and show the people, people will not wait for films but rather make their own picture.”
Interview with filmmaker Mohammadreza Farzad
Filmstill: “Shouting at the Wind” © Siavash Jamali, Ata Mehrad Filmstill: “Shouting at the Wind” © Siavash Jamali, Ata Mehrad
“The period before and after the islamic revolution (1978-1979) is critical to understanding Iran’s current problems.”
Interview with curator Afsun Moshiry
Zarte Katastrophen
Luiza Prado über „Elektra“, Metahavens erste Fulldome-Arbeit
Im Außenblick rotieren
Thomas Oberender im Gespräch mit Fanni Halmburger und Sebastian Bark von She She Pop
Haus der Berliner Festspiele © Phillip Aumann Haus der Berliner Festspiele © Phillip Aumann
Thinking Together #1: Don’t Panic
Thomas Oberender © Magdalena Lepka Thomas Oberender © Magdalena Lepka
„Ich töte gerade den Musterschüler in mir“
Ein Interview mit Thomas Oberender zu Identität, Ausgrenzung und Repräsentanz
Claudio Monteverdi
Ausnahmemusiker mit heutigen Problemen
Impressionen aus NY © Thomas Oberender Impressionen aus NY © Thomas Oberender
They don't like him
Thomas Oberender sieht Zeichen der Zeit in NY