#Jazzfest Berlin

Suddenly it Turns into Something Big
Nadin Deventer, the new Director of Jazzfest Berlin, in conversation with Thomas Oberender
In All Languages
Richard Williams über seine Zeit als Kurator
Meet the Artist: Tyshawn Sorey - Tag 1
Der Artist-in-Residence des Jazzfest Berlin 2017 mit dem Tyshawn Sorey Trio
Cooperation instead of cricket
Despite difficult conditions, communication between musicians from London and Berlin has been going strong for decades.
Jazz and the female voice
How female singers search for identity and individual expression
What’s New?
About Attitude, Repertoire and Role Models.
Fahrstuhl zum Schaffott
Für Miles Davis ein Wendepunkt in seiner musikalischen Entwicklung
Tyshawn Sorey: Ein Portrait
John Murph über einen Ausnahmemusiker
Improvisation zwischen den Welten
Amirtha Kidambi über ihr Verhältnis zu Karnatischer Musik
„A Firebrand Thinker”: Der Künstler und Aktivist Amiri Baraka
Kevin Le Gendre über Leben und Werk Amiri Barakas
This kind of magic
No concert is like the other. What is special about The Necks?
We will survive this poor choice
Wadada Leo Smith about the results of the U.S. elections
Matana Roberts © Paula Court Matana Roberts © Paula Court
“I am a hybrid of many different American traditions.”
Questions to Matana Robert  
The Many Faces of Jazz
Photographies by Patrick Hinely and Detlev Schilke.
Der Song bleibt – der Kontext ändert sich.
Lucia Cadotsch im Gespräch
Ingrid Laubrock © John Thomas, Axejazzpower Ingrid Laubrock © John Thomas, Axejazzpower
Die Kunst des Duos
Die Kunst des Duos
Globe Unity Orchestra in der Berliner Philharmonie, Berliner Jazztage 1966 © Hans Harzheim Globe Unity Orchestra in der Berliner Philharmonie, Berliner Jazztage 1966 © Hans Harzheim
Globe Unity @ 50!
1966: The end of innocence and the year of Globe Unity.
Matana Roberts © Frank Schindelbeck Matana Roberts © Frank Schindelbeck
Multimedia collage in music and dance theatre
Matana Roberts transcends the boundaries of jazz and customary concert events. Just like Pina Bausch, who introduced procedures of improvisation into dance theatre.
Keith Jarrett with Miles Davis and Michael Henderson, 1971 © CC-BY SA 4.0, Photo: JPRoche Keith Jarrett with Miles Davis and Michael Henderson, 1971 © CC-BY SA 4.0, Photo: JPRoche
From a single source
Composition, interpretation and improvisation as a creative cycle.
Thelonious Monk und die Town Hall Band bei der Probe in W. Eugene Smiths Loft, Foto: W. Eugene Smith © Magnum Photos/Agentur Focus Thelonious Monk und die Town Hall Band bei der Probe in W. Eugene Smiths Loft, Foto: W. Eugene Smith © Magnum Photos/Agentur Focus
W. Eugene Smith and jazz
The photographer and his famous “Jazz Loft”.